Scooby Doo is a warning about late stage capitalism as every episode the monster turns out to be an old white guy looking to steal all the money
Scooby-Doo is a Stirnerian parable about the stateless, individualist insurrectionist vanquishing decadent, amoral “spooks” squatting on unused land and capital rather than a call for collectivism
Scooby-Doo is a document of a particular point in automotive-mediated postwar culture where a collection of different types might be mobile from setting to setting yet not yet have dispersed into fully post-local subcultures according to their types.