Thinking about Kris Kross, and where we were in 1991 that "tough black rappers are the new thing, that's how we should package our next novelty act for schoolkids" made sense
I mean thoughts:
- Yeah tru, what “gangsta” meant wasn’t really settled in then
- And really maybe between NKOTB and N'Sync/BSB that industry energy WAS minority-focused. I remember elementary kids following along the New Jack Swing thing, and Boys II Men’s “motownphilly” was knowingly putting them in a lineage of packaged harmonized pop boy/girl groups
- Plus Michael “it don’t matter if you’re black or white” Jackson really WAS the avatar of kid pop culture in the 80s
- Honestly a lot of when I see Black Twitter go off on like, what your sappy aunt was listening to back then, it had a lot of overlap with my mom’s “adult contemporary”
- And when you look them up the differences tend to be the same romantic schlock for middle-aged secretaries, just in different ballad/Broadway or soul/gospel/R&B idioms
- When you think of it really Madonna’s shtick was she was a white ethnic girl who stayed in touch with the urban streets even as they got browner and queerer
- But then rap got coded hard black and white suburban kids went “alternative”
- Really in a lot of ways pop culture in 1991 prepared us for this moment which then got delayed 30 years, not just “racial minorities are now part of the cultural mainstream”
- Like remember Married With Children about how liberation had given nothing to the American man it just freed womenfolk to further undermine his hopes for a dignified domain
- Or all the “Slacker”, temp stuff – no one has real careers anymore!
- Or the SF bike courier cyberpunk “so we’ll all be poor disposable gig workers underfoot”